Laura Low has refined the texture and completely redo the lighting. She placed the props together and focused on the brightness of the stage compared to the ground. She made sure the focus is on the stage, using the lanterns and the placements of the props that Tenzing had modeled and placed to direct it to the stage.
She has also tried some cloth tearing as part of the disintegration on the opera dancer. This time she did it with textures to make sure that the textures wouldn't stretch out.







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